RUS
RUS
Recently, I woke up, turned on the TV, and realized that we are losing God!
Recently, I woke up, turned on the TV, and realized that we are losing God!
WORKS
ABOUT
My name is MILZ, and I am a Russian artist from the depths of Siberia, born not far from Lake Baikal. Before I took up painting professionally, I worked for a long time in various fields: design, music, video production, choreography, and performance. Upon reaching a certain age, influenced by life experiences and circumstances, I felt ready to take a canvas and brushes in my hands. Covering my face with a mask, like a medieval knight or a Marvel hero before a long journey, I ventured into the world of visual art.

Comics, street art, and the bold styles of French Impressionists and American Pop Art have had a profound influence on me. I borrowed from them bright colors, dynamic brush strokes, and stylized elements reminiscent of encrypted manifestos on advertising posters. My fascination with space, which I have cherished since early childhood, has also shaped my creative process. Each narrative I present is filtered through the lens of cosmic aesthetics and futurism, reflecting a new era — the age of technology, high speeds, and a dynamic rhythm of life, addressing pressing issues of the present and future.

My new collection of paintings is dedicated to global social themes. Space is universal, the universe is infinite, and our planet is a fragile sphere in need of protection. Unfortunately, humanity continues to
"play" at wars, thoughtlessly exploiting the resources of our planet and polluting it.

As an artistic technique, I use white figures that resemble television static. When the television functions well, there is no static, and vice versa. The same applies to life. Communicating in the universal language of artistic imagery, I also incorporate digital icons that surround us in everyday life. These symbols and cosmic objects aim to express on canvas the concern over the flawed relationship between humans and nature. I hope my painting will encourage reflection on what we may be doing wrong and inspire everyone to look up at the sky and see the stars.

I describe events as I understand and feel them, offering my version of the truth, like a reflection in the chrome lenses of my mask.

P.S. While working on this new series of paintings, I dreamed that one day all the negativity in the world would come to an end. There would be no more wars, epidemics, disasters, or hypocrisy; brighter times would come. Positive changes would occur in my work — the "indigo" period would conclude, and the static would dissipate. I would exhale and begin to speak of simple and beautiful things, such as the summer sun rising through the gentle mist over a field of emerald grass outside my window.
A few words about the white figures.
The white figures and symbols are crafted from an innovative material that took over a year to develop and test. This new medium has not been used in painting before and possesses unique properties: strength, flexibility, softness, elasticity, moisture resistance, wear resistance, and eco-friendliness. The three-dimensional figures allow two-dimensional images to interact not only with the space of the paintings but also to penetrate the real environment. Additionally, the digital icons serve as an additional narrative language, carriers of information, and a mark of time.

A few words about the mask.
My mask is not just a protective element or armor; it is a symbol of my inner world and struggle. The mask helps me rise above the mundane and immerse myself in a process where art becomes my weapon. I dedicate myself to serious themes, questioning justice and morality, and my mission is to challenge evil and injustice in the world through creativity.

I see myself as a warrior-artist, where my brushes and palette knife are extensions of my thoughts and emotions, aimed at creating something greater than just a painting. The mask, designed from my own sketches in a bio-tech style, reflects the harmony of technology and organic elements that characterize my artistic voice. This image fills me with strength and confidence, helping me focus on what truly matters.

A person in a mask represents my bolder and more decisive side, my shadow that is always nearby. Together, we create art that provokes thought, evokes feelings, fosters understanding, and perhaps presents the world in a slightly different way.
My name is MILZ, and I am a Russian artist from the depths of Siberia, born not far from Lake Baikal. Before I took up painting professionally, I worked for a long time in various fields: design, music, video production, choreography, and performance. Upon reaching a certain age, influenced by life experiences and circumstances, I felt ready to take a canvas and brushes in my hands. Covering my face with a mask, like a medieval knight or a Marvel hero before a long journey, I ventured into the world of visual art.

Comics, street art, and the bold styles of French Impressionists and American Pop Art have had a profound influence on me. I borrowed from them bright colors, dynamic brush strokes, and stylized elements reminiscent of encrypted manifestos on advertising posters. My fascination with space, which I have cherished since early childhood, has also shaped my creative process. Each narrative I present is filtered through the lens of cosmic aesthetics and futurism, reflecting a new era — the age of
technology, high speeds, and a dynamic rhythm of life, addressing pressing issues of the present and future.

My new collection of paintings is dedicated to global social themes. Space is universal, the universe is infinite, and our planet is a fragile sphere in need of protection. Unfortunately, humanity continues to "play" at wars, thoughtlessly exploiting the resources of our planet and polluting it.

As an artistic technique, I use white figures that resemble television static. When the television functions well, there is no static, and vice versa. The same applies to life. Communicating in the universal language of artistic imagery, I also incorporate digital icons that surround us in everyday life. These symbols and cosmic objects aim to express on canvas the concern over the flawed relationship between humans and nature. I hope my painting will encourage reflection on what we may be doing wrong and inspire everyone to look up at the sky and see the stars.

I describe events as I understand and feel them, offering my version of the truth, like a reflection in the chrome lenses of my mask.

P.S. While working on this new series of paintings, I dreamed that one day all the negativity in the world would come to an end. There would be no more wars, epidemics, disasters, or hypocrisy; brighter times would come. Positive changes would occur in my work — the "indigo" period would conclude, and the static would dissipate. I would exhale and begin to speak of simple and beautiful things, such as the summer sun rising through the gentle mist over a field of emerald grass outside my window.
A few words about the white figures.
The white figures and symbols are crafted from an innovative material that took over a year to develop and test. This new medium has not been used in painting before and possesses unique properties: strength, flexibility, softness, elasticity, moisture resistance, wear resistance, and eco-friendliness. The three-dimensional figures allow two-dimensional images to interact not only with the space of the paintings but also to penetrate the real environment. Additionally, the digital icons serve as an additional narrative language, carriers of information, and a mark of time.

A few words about the mask.
My mask is not just a protective element or armor; it is a symbol of my inner world and struggle. The mask helps me rise above the mundane and immerse myself in a process where art becomes my weapon. I dedicate myself to serious themes, questioning justice and morality, and my mission is to challenge evil and injustice in the world through creativity.

I see myself as a warrior-artist, where my brushes and palette knife are extensions of my thoughts and emotions, aimed at creating something greater than just a painting. The mask, designed from my own sketches in a bio-tech style, reflects the harmony of technology and organic elements that characterize my artistic voice. This image fills me with strength and confidence, helping me focus on what truly matters.

A person in a mask represents my bolder and more decisive side, my shadow that is always nearby. Together, we create art that provokes thought, evokes feelings, fosters understanding, and perhaps presents the world in a slightly different way.
CONTACTS
DELIVERY AND PAYMENT